Outline, Brushwork, and the Epigraphic Aesthetic in Huang Yi's Engraved Texts of the Lesser Penglai Pavilion (1800)
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The Barbarian States in North China
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LUCIANA GALLIANO
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Shunga and Edo Japan and Its Reception in Henri De Toulouse-Lautrec and Aubrey Beardsley
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Outline, Brushwork, and the Epigraphic Aesthetic in Huang Yi's Engraved Texts of the Lesser Penglai Pavilion (1800)
Public Goods Provision in the Early Modern Economy: Comparative Perspectives from Japan, China, and Europe
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Duke University Dissertation Template
Outline, Brushwork, and the Epigraphic Aesthetic in Huang Yi's Engraved Texts of the Lesser Penglai Pavilion (1800)
i Something Rubbed: Medium, History, and Texture in Japanese Surimono A dissertation presented by Kit Brooks to The Department
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Rethinking Japanese Prints & More – Thoughts on ukiyoe and other arts & crafts of the Edo period
Rethinking Japanese Prints & More – Thoughts on ukiyoe and other arts & crafts of the Edo period
Rethinking Japanese Prints & More – Thoughts on ukiyoe and other arts & crafts of the Edo period
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Outline, Brushwork, and the Epigraphic Aesthetic in Huang Yi's Engraved Texts of the Lesser Penglai Pavilion (1800)
Rethinking Japanese Prints & More – Thoughts on ukiyoe and other arts & crafts of the Edo period
Public Goods Provision in the Early Modern Economy: Comparative Perspectives from Japan, China, and Europe
